Discussion about this post

User's avatar
Mike Sowden's avatar

You've done really great work here, kudos.

Yep, that's a grim picture. Especially the way that rates and PR budgets are on the wane, for all sorts of reasons. That's pretty much why I decided to stop trying to become an industry travel writer (I'm not sure I was ever really one, although not for want of semi-cluelessly trying) - it was that and the burnout and cynicism that came from realising that destination marketing really didn't fill me with any joy at all, even when I got paid for it...

But now I'm back writing again and have got back all my naive optimism, I have to wonder: why does this grim state of affairs have to define travel journalism going forward? Can't we just start saying that this, the Old Way, was largely bullshit for many painfully practical reasons, and perhaps it's time to start carving out new models based on what's working pretty well online for some writers these days?

The first one being: platforms like the one we're both writing on. Substack's not the only one, but it's proving an impressive testing-ground for all sorts of genre/niche writing. What about travel writing? Where are the recklessly heartfelt efforts to turn narrative travel journalism into something that readers pay for on a monthly basis, using every experimental variation of all the things that existing high-turnover newsletter writers are doing on Substack and elsewhere? I can't help feeling there must be a way to cobble something workable together that's clearly and unambiguously "narrative travel writing". (I feel this, because there are already a few rare examples of it happening, like https://www.brentandmichaelaregoingplaces.com/ ,which is a travel blog of travel writing!)

I'm sure it's going to be bloody hard work for someone to get going from scratch - and I say this as someone who's just fought through that 60%/£20k barrier with his own newsletter (which took me 2.5 years and more than a little luck). But if, I dunno, Colin Thubron or Nan Shepherd or Dervla Murphy or Sofka Zinovieff or Bill Bryson were writing paid newsletters, I'd be throwing money at 'em. As Tim said in his Future Of Travel Writing piece, a great relabelling seems to be underway, absorbing great gloms of travel-like writing into their own categories - take Katherine May, also on Substack, writing in a way that fits beautifully alongside other folk commonly labelled "travel writer", say, Pico Iyer, while getting described in the press as "wonder writing" or "pandemic writing" or some new term. And there's CraigMod writing about his walks across Japan, but it's not quite "travel writing", it's "hey, CraigMod is writing about walking in Japan"...

That's one model. I bet there are many others waiting to be discovered. And if that's the case, why should we put up with a reheating version of the old model? Isn't all this the flag waving madly for narrative travel writers - especially those with voices traditionally under-represented in the industry, the same way N.K. Jemisin shook up science fiction via Patreon - to get in there and start launching new books-but-not-books-but-also-kinda-books in a crowdyfundy, audience-powered sort of way, with PR coming second?

(I think I'd really love to see the future of travel writing go fiercely, reactively indy for a while, getting paid primarily by readers and never ever feeling like it has to take an unappealing-looking gig just for the money. Could travel writing in general at least *try* that, to see what happens?)

A final point: never comment on someone's newsletter after having two espressos in a row. See: all of the above.

Expand full comment
Michael Jensen's avatar

Wow, eye-opening and often depressing stuff. (Including about readers not caring about the climate emergency...)

First, thanks to Mr. Sowden for mentioning us. Second, not surprisingly, I agree with a lot of what Mike has to say about what might work.

We came to travel writing in a round about way, writing an opd-fashioned blog when we started nomading six years ago. After realizing we had no desire to chase SEO and/or do sponsored trips -- which simply wouldn't fit with our lifestyle -- we discovered Substack and haven't looked back.

While we haven't gotten rich by any mean, we've been doing all right. And it's been gratifying to find that readers are interested in the kind of travel writing we do -- a mix of narrative story-telling, along with some practical advice and sort-of guides to destinations we have lived.

I also think Mike is right about the new kinds of travel writing emerging -- or is it more old types migrating to new platforms and/or changing a bit.

One of my favorites is https://walkingtheworld.substack.com/ by Chris Arnade. No, Chris isn't writing about Bali or the Ten Best Things to See in Albania, but given where he ranks on Substack's travel leaderboard, clearly people are interested in what he has to say.

And that gives me hope for the future.

Expand full comment
6 more comments...

No posts